Girl Number 20

The 19th century witnessed the beginning of queen Victoria’s reign, the industrial revolution, realism as literary movement and realistic novels among other. When we refer to realistic novels, we are not talking about novels being a â€Å"reality† but instead we refer to the creation of fictional stories and characters that are very much like real life people and situations. In other words, authors wrote their novels to critize social unfairness, poverty, struggles, health issues and so forth, as a way to reflect the â€Å"truth† just as it was, and it all was possible because their stories and characters were believable.Charles Dickens was one of the most influential writers of the time, his novel â€Å"Hard Times†, as the rest of his works, is vivid examples of what realistic novels would be like. He portrays his judgement towards society in a very comprehensible and even entertaining way, providing the reader an idea of the time and era he was living in . Furthermore, he lets readers identify with the situation and characters of the story, reflecting through the narrator his social perspectives of the time.Regarding the novel Hard Times, there are several issues and characters we could point out, such as progress, social limitations, poverty, development, educational patterns of the time, Mr. Bounderby, Mr. Gradgrind, Louisa, Tom, Cecilia Jupe (Sissy), Mr. Harthouse, Stephen Blackpool among others. However, the one we identified the most with, was â€Å"Girl Number 20† or Cecilia Jupe (Sissy). Through out the whole story, Dickens shows her as an innocent, unprotected an abandoned child, but at the same time she becomes one of the most important and influential characters of the story.In addition, the author redefines, in a way, the role women had at the time, by giving Sissy the power to be herself and the power to do whatever she thought was right. In order to present Cecilia Jupe as the heroine of the story, we will have t o consider her background, being it, the cornerstone of the principles she will use for the rest of her life. Having mentioned this, we will begin by referring to the way Dickens gave form to Sissy’s childhood. A motherless child, who was raised by her loving and strange father. Even though her ather was a sad and a depressed man, Sissy discovered how to please him by being more than a daughter, a caring friend; the author showed it in this quote: And you were his comfort through everything? ’She nodded, with the tears rolling down her face. ‘I hope so, and father said I was. It was because he grew so scared and trembling, and because he felt himself to be a poor, weak, ignorant, helpless man (those used to be his words), that he wanted me so much to know a great deal and be different from him. I used to read to him to cheer his courage, and he was very fond of that. p. 51) This is one of the reasons for us to give Sissy the heroical part in the story, though she made simple gestures, she made her father happy no matter what situation he was going through. It is easy to understand Sissy’s fairytale life, due to all the elements that surrounded her during her childhood: Her mother a dancer, her father a clown, her readings, most of them fantastic, but nourishing at the same time for both of them, here is one of the moments where she expressed her testimony: â€Å"Your mother? ’ ‘Father says she was quite a scholar. She died when I was born.She was;’ Sissy made the terrible communication nervously; ‘she was a dancer†¦ †Father’s a;’ Sissy whispered the awful word; ‘a clown. ’ ‘To make the people laugh? ’ said Louisa, with a nod of intelligence. ‘Yes. But they wouldn’t laugh sometimes, and then father cried†Ã¢â‚¬ ¦Ã¢â‚¬  I used to read to him to cheer his courage, and he was very fond of that. They were wrong books- I am never to speak of th em here- but we didn’t know there was any harm in them. ’ ‘And he liked them? ’ said Louisa, with her searching gaze on Sissy all this time. ‘O very much! They kept him, many times, from what did him real harm.And often and often of a night, he used to forget all his troubles in wondering whether the Sultan would let the lady go on with the story, or would have her head cut off before it was finished. † (Pp. 50-51) Nevertheless, all the elements shown above were used by Dickens as tools in order for us to understand even more Sissy’s personality and character, highlighting her creativity and optimism when facing difficult times. Dickens shows us that her creative, optimistic and attentive attitude was not only present when she was around her father but also through out the rest of her life, even so, most people did not see it as a rilliant attitude; instead they labeled her as an uneducated, an abstract and an unintelligent person. Howev er, the author uses this attitude to demonstrate that life is not only made out of facts but also of reality, logic and common sense. This situation is well illustrated in the following quote: ‘Girl number twenty,’ said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. ‘So you would carpet your room- or your husband’s room, if you were a grown woman, and had a husband- with representations of flowers, would you,’ said the gentleman. Why would you? ’ ‘If you please, sir, I am very fond of flowers,’ returned the girl. ‘And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots? ’ ‘It wouldn’t hurt them, sir. They wouldn’t crush and wither if you please, sir.They would be the pictures of what was very pretty and pleasant, and I would fancy-’ ‘Ay, ay, ay! But you mustn’t fancy,’ cried the gentleman, quite elated by coming so happily to his point. ‘That’s it! You are never to fancy. ’ ‘You are not, Cecilia Jupe,’ Thomas Gradgrind solemnly repeated, ‘to do anything of that kind. ‘Fact, fact, fact! ’ said the gentleman. And ‘Fact, fact, fact! ’ repeated Thomas Gradgrind. ‘You are to be in all things regulated and governed,’ said the gentleman, ‘by fact. † (p. 10) Through this lines Dickens was trying to show how reasonable Sissy was in comparison to other characters, she knew that flowers were just an image that people could delight in and not just a simple definition. In addition, there is another important aspect of Sissy’s life which we find interesting to note: her social awareness. A good example to prove this is the following quote: â€Å"†¦ But today, for instance, Mr M’Choakumchild was explaining to us about Natural Prosperity. ’ ‘National, I think it must have been,’ observed Louisa. ‘Yes, it was. – But isn’t it the same? ’ she timidly asked. ‘You had better say, National, as he said so,’ returned Louisa, with her dry reserve. ‘National Prosperity. And he said, Now, this schoolroom is a Nation. And in this nation, there are fifty millions of money. Isn’t this a prosperous nation? Girl number twenty, isn’t this a prosperous nation, and a’n’t you in a thriving state? ’ ‘What did you say? ’ asked Louisa. ‘Miss Louisa, I said I didn’t know.I thought I couldn’t know whether it was a prosperous nation or not, and whether I was in a thriving state or not, unless I knew who had got the money, and whether any of it was mine. But that had nothing to do with it. It was not in the figures at all,’ said Sissy, wiping her eyes†¦. † (p. 48) Through this quote, Dickens gave us a fantastic explanat ion of his thoughts on the economy of the time through Sissy’s opinion; in other words, he was emphasizing his ideal economical pattern for society: everyone having an equal amount of richness in order to be a prosperous nation.One of the remarkable things about Sissy is that throughout the whole story, Dickens presents her as a unique girl with many exceptional traits, for instance, her loyalty and perseverance towards her father’s return, her compassion and attentive spirit towards the Gradgrind family, her respect for others’ opinions and the one thing that make her the heroine of the story: her outstanding personality. Nevertheless, there are several times when the author mentions that just like any human being, Sissy doubted herself and at the same time wished to be someone else (Louisa).Dickens expressed it clearly on this extract: ‘It would be a fine thing to be you, Miss Louisa! ’ she said, one night, when Louisa had endeavored to make her p erplexities for next day something clearer to her. ‘Do you think so? ’ ‘I should know so much, Miss Louisa. All that is difficult to me now, would be so easy then’†Ã¢â‚¬ ¦ ‘Have I always hated you so much? ’ ‘I hope not, for I have always loved you, and have always wished that you should know it. But you changed to me a little, shortly before you left home.Not that I wondered at it. You knew so much, and I knew so little, and it was so natural in many ways, going as you were among other friends, that I had nothing to complain of, and was not at all hurt. † (Pp. 48, 182-183) At the same time, letting aside her desires to be like someone else, Cecilia did not let such a thing bring her down, instead she stood up and defended her territory and her â€Å"own†, becoming courageous enough to confront and to send away Louisa’s suitor who stood against everything that was right.The following quote reflects it: ‘Mr Harthouse,’ returned Sissy, with a blending of gentleness and steadiness that quite defeated him, and with a simple confidence in his being bound to do what she required, that held him at a singular disadvantage, ‘the only reparation that remains with you, is to leave here immediately and finally. I am quite sure that you can mitigate in no other way the wrong and harm you have done.I am quite sure that it is the only compensation you have left it in your power to make. I do not say that it is much, or that it is enough; but it is something, and it is necessary. Therefore, though without any other authority than I have given you, and even without the knowledge of any other person than yourself and myself, I ask you to depart from this place tonight, under an obligation never to return to it. † (Pp. 188-189).Nonetheless, this was not the only an unselfish and brave act she performed; the previous action triggered the beginning of Sissy Jupe as the care-taker and th e protector of the Gradgrind family that even the father came to a place where he recognized Cecilia’s help, not only towards him but also towards his wife and son; he finally accepted the fact that without Sissy’s presence they would have succumbed. In the following quote Dickens proves that at last â€Å"Girl Number 20†, the least expected to have the solution to all of the Gradgrind’s problems, became the moral and the grand victor of the story after all. Sissy has effected it, father. ’ He raised his eyes to where she stood, like a good fairy in his house, and said in a tone of softened gratitude and grateful kindness, ‘It is always you, my child! † (p. 222) Lastly, as the story ends our heroine is all we expected her to be, starting by being a great and faithful daughter, a help in time of need for those who surrounded her, and last but not least a good wife, a happy mother and a wonderful friend to her â€Å"humbler fellow-creatu res†.But, happy Sissy’s happy children loving her; all children loving her; she, grown learned in childish lore; thinking no innocent and pretty fancy ever to be despised; trying hard to know her humbler fellow-creatures, and to beautify their lives of machinery and reality with those imaginative graces and delights, without which the heart of infancy will wither up, the sturdiest physical manhood will be morally stark death, and the plainest national prosperity figures can show, will be the Writing on the Wall,- she holding this course as part of no fantastic vow, or bond, or brotherhood, or sisterhood, or pledge, or covenant, or fancy dress, or fancy fair; but simply as a duty to be done,- did Louisa see these things of herself? † (p. 238) As a conclusion, we dare to say that Dickens was the realist novelist far excellence; throughout the whole novel he expressed his criticism in a very audible voice, illustrating his thoughts and opinions on several social conc erns of his time. Additionally, he created a story and characters that were believable due to their resemblance with the real world; he made the reader understand that he was not making the situations up, but he was showing real common life.Nevertheless, it seems as if Dickens broke the pattern with Cecilia Jupe, when giving her the heroic part of the story and at the same time made her as an example of genuineness, boldness and bravery, even when her humble background, her eccentric education and all those things made her the contrary of what a Victorian Lady should be like. All situations she went through were against the idea of her being the heroine of the story, but ironically, Dickens chose her as if taking her from another world and inserting her into Victorian times, in order to make his point clear, which was: the role of the woman in a society like his. References: Dickens, C. (1854). Hard Times. London, England: Editorial Matter.

The Multi-dimensions of Art & Milk

The concept of art has been an ever changing forefront of movements, development, evolution and a pending example of how the human race has delved into different realms of expression and exploration into their surrounding environment.   There are varying theories as to the worth of art, pop art in particular and its legacy to the human race; or, all art in general may be examined through critical eyes and have the same question presented in such scrutiny.   The purpose of this paper will be to examine the worth of The Milkproject and how it aids in examining people and products in their everyday life.There has been much debate as to the purpose of; in Oscar Wilde’s famous quote he says, â€Å"All art is completely useless† and while this may be the case in fact, since art does not serve some rudimentary purpose in propelling the human race forward into any evolutionary or revolutionary states, art must be approached from a different angle.   The theorists Dick Hig gins states that,Pop Art?   How could it play a part in the art of the future?   It is bland.   It is pure.   It uses elements of common life without comment, and so, by accepting the misery of this life and its aridity   so mutely, it condones them.   Pop and op are both dead, however, because they confine themselves, through the media which they employ, to the older functions of art, of decorating and suggesting grandeur, whatever the detailed content of their artist’s suggestions (Higgins 49).Thus, with this definition of the death of art through the lack of evolution it is willing to play in progressing forward into a new age of media a viewer may rightly surmise that the endeavors of the Milkproject are far more revolutionary than any other artistic movement being designed in this century.   It is with the inclusion of technology and the approach of applying the common life with something integral to the world such as milk and how and where it travels that this project will have a lasting impression in the art world.It is through diversity of art and the inclusion of different medias into a conglomeration art project that the Milkproject is able to transcend the usual boundaries of art and to delve into something more important, more human.   The project used photographs, sound recordings and live models and life to portray the transportation of milk from a farm into the houses of the general populace.   The integration involved in this journey is what beckons Higgins to recollect the diversity of Duchamp in his theory and to state that it is only through this mixture and inclusion of media that art is able to evolve, and evolve it does with the Milkproject.The true genius of the Milkproject is that is it interactive; with the audience as well as the participants.   The beauty of the project is that is focuses on something common in everyone’s lives so that everyone has a basis for an interest in the project.   As this paper has previously quoted art seems useless:   from the dowdy baroque pieces to the overly large pop art media pieces, there seems to be no real connection between the lay person and art.With the Milkproject this foreignness is bypassed as milk is the main ingredient in the art, and the reactions of people to milk, its journey and process is all a part of the final project.   In Kaprow’s article â€Å"Happenings† in the New York Scene he describes how ‘Happenings’ is an interactive based art experience, â€Å"You come in as a spectator and maybe you discover you’re caught in it after all as you push things around like so much furniture† (Kaprow 84).   This same process of being involved in the Milkproject despite not being the artist of the muse, is what propels the fundamental interest of the viewer.The idea behind the Milkproject as an artistic expression is only defined as such by the intermingled use of photography and voice.   This is why the project is such an important piece; because in most art pieces, the movement is static, the flowers remain the same through time, but with the human voice and the interaction of the product with the audience, the viewer or participant is able to relate on a more humanistic level with the project and thus transform it from a Happening into a thing of real life consequence: from the farm and whatever happens with the farm (financially, weather-wise, etc) to the mouth of the consumer.   Thus, the Milkproject transcends Kaprow’s Happening as he defines it,Happenings are events that, put simply, happen.   Though the best of them have a decided impact—that is, we feel, ‘here is something important’—they appear to go nowhere and do not make any particular literary point.   In contrast to the arts of the past, they have no structured beginning, middle or end.   Their form is open-ended and fluid; nothing obvious is sought and therefo re nothing is won, except the certainty of a number of occurrences to which we are more than normally attentive.   They exist for a single performance, or only a few, and are gone forever as new ones take their place. (Kaprow 85).Thus, the Milkproject is not so clearly defined as art that has no ‘structured beginning, middle or end’ (Kaprow 85) but rather to the extent of the milk’s journey from teet to mouth of the consumer is found these three parts; excepting in the idea that the project itself is a continuation of the milk’s journey transform by the project into art.It is now clear that the Milkproject is a transformable art.   Thus, the art behind the project is not limited to the process of the milk traveling but extends to the reactions of the farmers and the consumer as is proven with the voice recorded tapes.   The audience in turn at the exhibition becomes part of this process as well, which makes the integrated media of the Milkproject evo lutionary in its concept.   This concept of mixed media and the extension of art into the audience is portrayed in Aarseth’s theory on literature,Where this new adaptation might prove to be a radical departure is in the way we shall use it to define textually independent of its traditional associates, the reader/receiver/audience and writer/sender/author.   This move, which might be seen as self-defense†¦A text is not what we may read out of it, nor is it identical with what someone once wrote into it.   It is something more, a potential that can be realized only partially and only through its script (Aarseth 59).One must merely substitute the word literature and text with art and this passage clearly defines the purpose and impact of the Milkproject.Another interesting dynamic to the Milkproject is its use of the narrative.   As was mentioned with Higgins, art does not transcend itself often; that is to say that art does not cross from a painting into a sculptur e, and that is why media is such an important tool for this new era of art.   Most art does not speak for itself, does not lend the viewer with a cemented impression or underlying theory to its own existence as was illustrated in Kabrow’s Happenings.   With the inclusion of a running narrative in the Milkproject, a new dimension of art is being presented and very well incorporated into the integrity of the project.The inclusion of a narrative is not the only aspect of the genius of the Milkproject but the way in which it is included is what makes the narrative a work of art.   The narrative is typically thought of as a story telling device through literature.   In the dynamic of the Milkproject the narrative becomes a palpable part of the exhibition in that it is presented not through written words but electronic devices and thus remaking the project a part of a long lasting tradition of oral story telling, something the native Americans of other cultures pass on stor ies from generation to generation (de Certeau 95).   It is with this oral tradition being included in the project that a sense of human identity and connectedness from the Netherlands to America and further can be appreciated, as Landow expresses of the narrative and technology,Electronic textuality brings with it many changes, but not all concern loss, as so many critics of culture seem to believe.   Lyotard, for instance, claims that the new information technologies produce effects much like the journalist’s rewriting†¦but the evidence of hypertext works thus far created, both instructional and literary, suggests that on the contrary electronic linking graphs idiosyncrasy and personal association in particularly liberating ways.He grounds his charge on the doubtful claim which hypertext linking would seem to contradict, that the â€Å"new technologies †¦submit to exact calculation every inscription on whatever support:   visual and sound images, speech, mus ical lines, and finally writing itself,† and he argues that â€Å"the noteworthy result of this is not, as Baudrillard thinks, the constitution of an immense network of simulacra† but rather the great â€Å"importance assumed by the concept of the bit, the unit of information† (Landow 32).The importance then of the inclusion of the narrative through a technological device then is proven to be a necessary part in the Milkproject not only in a traditional art sense but in a cultural sense as it propels the human story forward by the means of the human ingenuity:   through the bit, through oral tradition by way of a story that is significant to the human race, and its progeny:   a farmer’s milk into the mouths of the consumer, is something that will always be of importance because of its nutrition as well as this project’s ability to show that the world, the economy, cultures, are working in a globalizing fashion to sustain human life in all parts of the earth, thus art imitates nature (Guattari & Deleuze 2).The Milkproject extends the visual world and enters the verbal world so that the audience may better understand the significance of the work.   The emphasis of the verbal, or oral storytelling in this project is what makes the project all that much more human.   The implementation of the digital voice recordings along side the still motion shots taken from video footage is what humanizes the project and for the audience its what makes the project real, and strikes a cord of commonality, thus, not only is the audience member intrigued because of the element of milk, a product used by a large portion of the world’s population but also the voiced concerns of the farmers and consumers are juxtaposed with the audience reactions as de Certeau states ,We could moreover extend this problematic to the relations between the act of writing and the written text, and even transpose it to the relationships between the Ã¢â‚¬Ë œhand’ and the finished painting.   AT first isolated in the area of verbal communication, the speech act turns out to find only one of its applications there, and its linguistic modality is merely the first determination of a much more general distinction between the forms used in a system and the ways of using this system, that is, between two ‘different worlds,’ since the ‘same things’ are considered from two opposite formal viewpoints (de Certeau 98).Thus, the use of the narrative becomes a part of the exhibition in an intrinsic fashion.The focus of this paper has been on the inclusion of several styles of art in one artistic piece, the Milkproject.   Through the use of verbal narrative, mixed media, photographs, technology, and video the ‘artists’ of this project have been able to create a Happening which goes beyond the open-ended suggestion of Kabrow and into a story which develops through the journey of milk from udder to con sumer across continents.The use of GPS in this project was also a major player in extending the static components of art being non-transcendental (i.e. paintings can’t be sculptures and vice versa) and allows the project to be multi-dimensional and thus long lasting.   However, the stroke of genius in the Milkproject is the inclusion of various media in order to engage the audience in the reality of the milk’s journey.It is with this final statement of the project that the purpose of the project becomes apparent:   the audience’s interaction, and reaction to the project is a part of the project if not the main purpose.   Thus, the journey of the milk does not end with the consumer but carries on into the audience and this is what allows the Milkproject to not be a stagnant art form but an interactive exhibition whose genius rests with the reality that the journey’s participation hinges upon the viewer.   Thus, the journey of milk is found in its e nd with the art viewer.Work CitedAarseth, E. â€Å"Nonlinearity and Literary Theory.† Hyper/Text/Theory Landow,  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   George P. (Ed)   Baltimore & London: John Hopkins University Press, 1994  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   excerpts 51-86Burroughs, W. The Cut-Up Method of Brion Gysin. The New Media Reader Nick  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Monfort and Noah Wardrip-Fruin (Eds) Cambridge, Mass.: MIT Press 2003 83 88.De Certeau, M.   Walking in the City.   The Practice of Everyday Life.   Berkley.   UniversityOf California Press.   1988.Deleuze, G. and Guattari, F. Rhizome. in A Thousand Plateaus Minneapolis and  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   London: Minnesota UP, 1987 excerpts 2-25;Higgins, Dick. Intermedia. Leonardo 34:1 49-54Kaprow, Allan. Happenings’ in the New York Scene.The New Media Reader Monfort,  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Nick & Wardrip-Fruin, Noah (Eds) Cambridge, Mass.: MIT Press, 203 83-88Landow, G. P. What ’s A Critic to Do? Hypertext. George P. Landow (Ed) Baltimore:  Ã‚  Ã‚  Ã‚   John Hopkins UP, 1994 32-46Marek, K.   Bizarre New World. (The World May Be) Fantastic, Biennale of Sydney  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Catalogue 2002 217-20.Plant, S. On the Matrix. Cybercultures Reader London & New York: Routledge, 2000   325-336

Chemistry And Application Of Click Chemistry - 1411 Words

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Drug Trafficking, Organized Crime, and Terrorism Interactions

Drug Trafficking, Organized Crime, and Terrorism Interactions In recent years, the link between organized crime, terrorism, and drug trafficking has become increasingly intertwined. The interactions between these three organizations have facilitated terrorism on a global scale as the activities perpetrated by these groups have demonstrated. These formerly independent endeavors have not only began to collaborate with each other, but discernable trends have emerged due to their collaboration. In testimony given to the Senate Armed Services Committee, Michael A. Sheehan, assistant secretary of defense for special operations and low-intensity conflict for the United States Department of Justice, Terrorism, drug trafficking and other forms of transnational organized crime are increasingly intertwined (Parrish). Sheehan further comments, Nowhere is the link between transnational organized crime, insurgency and terrorism more apparent than in Afghanistan, where the Taliban continues to receive a large percentage of its revenue through heroin trade (Parrish). United Nations Office on Drugs and Crime (UNODC) Senior Terrorism Prevention Officer Irka Kuleshnyk asserts, While it is difficult to establish how widely terrorist groups are involve in the illicit drug trade, or the breadth and nature of cooperation between these two criminal groups, the magnitude of the numbers involved make the relationship worrisome (Drug Trafficking and the Financing of Terrorism). At the sameShow MoreRelatedControlling Organized Crime1200 Words   |  5 PagesControlling Organize Crime Paper Louis Pierre CJA/384 May 6, 2013 University of phoenix Professor: Glen Winters Controlling Organize Crime Paper Organize crime is a conspiratorial activity involving the coordination of numerous people in the planning and execution of illegal acts or in the pursuit of a legitimate objective by unlawful means, for example, threatening a legitimate business to get stake in it. However, organize crime involves continuous commitment by primary members, althoughRead MoreI Would Like To Identify And Describe The Major Functions1667 Words   |  7 Pagesof Prisons (FBOP) or BOP is a United States federal law enforcement agency. A sector of the U.S. Department of Justice, the BOP is responsible for the administration of the federal prison system such as white collar crimes, bank robberies, fraudulent check writing basically any crime associated with breaking federal law. 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A) Crime violates a law and deviance violates social norms. 4. What is the legalistic approach to the study of crime? A) The legalistic approach to crime yields the moral high ground to powerfulRead MoreThe Concept Of Border Security2139 Words   |  9 PagesThe concept of border security in the U.S. shares a complex and ever changing relationship with global economics, international crime, and terrorism. In this context border security includes the protection of not only land borders, but also sea and air ports of entry. The relationship between federal, state and local authorities makes for a unique operation that must be ever changing and evolving to meet new and different threats. This massive undertaking falls directly under the Department ofRead MoreImmigration Restrictions Essay930 Words   |  4 Pagesregarding an employees legal working status. (R. Stell) This is to help bring jobs back to the Americans and crack down on illegal immigrants. 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Public Relations Crisis Management Plan Assignment

Essays on Public Relations Crisis Management Plan Assignment The paper "Public Relations Crisis Management Plan" is a wonderful example of an assignment on marketing. The explosion that occurred at an oilrig in the Great Barrier Reef poses a situation that can lead to the total collapse of the company. Although Hypothetical has been absolved from all the blame, it still has a significant social responsibility to the community and the people living in this area, as well as the whole world. The company needs a form of public ‘friendship’ in order to operate efficiently in the coming years, and obtain goodwill from governments, people, consumers, workers and even environmental experts who are all closely following the developments at the Great Barrier Reef.Although the problem has been technically solved, there still lies a considerable risk for the company, basing on previous experiences. The spill that occurred at the Gulf of Mexico in an oil rig owned by the giant oil company British Petroleum led to a massive backlash from all th e stakeholders. The company has faced numerous lawsuits, loss of consumer trusts and expensive compensation claims (Farrell, 2011, p.102). Although the crisis at the Great Barrier Reef is of a different scale compared to BP’s, there is a need to ensure that it is managed effectively to mitigate negative impaction.SWOT StrengthsHypothetical has managed to seal the exploded well; hence, there is no risk of further damage to the environment. In addition, the assessment of its other rigs throughout the world shows that there is no further risk to such a situation occurring and all the safety standards are keenly followed.WeaknessesThe company has already lost some employees and in the disaster and the massive spill has already taken some months to stop. Extensive damage to the ecosystem has already occurred.OpportunitiesAlthough damage has already occurred, the Australian government has been supportive, and everyone applauds the company’s effort to stop the leak. The company can use this opportunity and the media attention that it is receiving to portray itself positively among the people, hence helping to improve its brand name (Reid, 2006, p.75).ThreatsThe company is the obvious target for blame for all the events that have transpired and almost everyone is expecting that the company will own up to the mistake. There is also a risk that people are viewing the situation from the mindset that was formed after the spill that occurred at the gulf of Mexico pitying a corporation against the government, environmental organizations and the public.Target publics Primary publicsThe main targets for crisis communication are the government leaders, trade unions and the environmental concern groups. This is because they are the influential groups that understand the magnitude of the problem and are in the places of influence to the public (Lawrence Dan, 2005, p. 211). Trade unions need to be ensured of the safety of workers, considering that six people died in the accident, while the government is the one expected by the public to act on their behalf.

Journal Of Environmental Research Health â€Myassignmenthelp.Com

Question: Discuss About The Journal Of Environmental Research Health? Answer: Introduction Modern gardens are usually characterized by streamlined, sleek and cultured styles. In most cases, the main goal of modern landscape architecture is to create gardens that have organized and controlled appearances that also increases the value of property besides creating spectacular views. But looking at the history of gardens, they have more uses beyond beauty and remarkable views. Some gardens are used for medical, treatment and/or healing purposes, relaxation, meeting points and productivity increase(Anderson, 2011)(Franklin, 2012); (Gray Birrell, 2014) (Lau, et al., 2014). Therefore gardens have been very essential components of buildings from the early days(Detweiler, et al., 2012). Regardless of the intended use, modern gardens comprise of common architectural features/elements that give them outstanding views. These elements must work collectively in harmony so as to achieve the intended purpose. This essay analyzes two design landscapes: Donnell Garden, Sonoma, California, USA designed by Thomas Church, and Residence Own House Garden, Ridgewood, New Jersey, USA designed by James C. Rose. The aspects discussed are: cultural context, design psychology, formal qualities and stylistic attributes. Donnell Garden is one of the masterpieces that were designed by Thomas Church, a renowned landscape architect, with the help of George Rockrise and Lawrence Halprin. Thomas Church was a pioneer of American modern landscape architecture and managed to establish a style referred to as California Garden, after getting inspiration from the U.S.s West Coast (Jere, 1993)(Treib, 2003). They designed the garden for Dewey and Jean Donnell family in Sonoma, California, USA. Up to date, Donnell Garden is still a modernist icon in American landscaping industry. The garden was completed in 1948 and it is on the hillside overlooking San Francisco Bays northern extensions. Figure 1 below shows the aerial view of Donnell Garden. Cultural Context Donnell Garden is a landscape garden with great importance for American landscape history, in cultural context. The garden was created after World War II and the Great Depression, the period when American landscape significantly revitalized. Thomas used art to express various elements of modernism in the garden with less attention to the surrounding physical setting. He designed the line of the edge of the kidney-shaped pool to resonate the patterns of waterways meandering across the nearby valley that was being overlooked by the terrace. Additionally, the pavers colours, plantings and rocks groupings reflect the form and colour of the extensive landscape and its features where Donnell Garden is located(Beattie, 2015). The garden was in the cattle ranch of family, which they used for picnicking. Church included rare, abstracted forms that made Donnell Garden very famous. His aim was to give the garden a modern look that provided the family with a cool place to relax, play, swim, barb eque, garden and entertain. He wanted the garden to complement the booming economy and rapidly growing population of California. When designing the garden, Church responded to particular site and client characteristics and at the same time explored new architectural styles and forms. In general, Donnell Garden was designed with a modernism attitude and that is why it has spectacular views, such as the unique pool and chairs around it. Design Philosophy The main design philosophy that Church applied when designing Donnell Garden was abstract modernism. Church was among the pioneers of abstract modernism in North American landscape architecture and he used this philosophy to design a spectacular garden and express himself in it. His design philosophy was influenced by historical events and his personal ideas and experience. The unique design of Donnell Garden was based on four principles: unity (compatibility between the garden and the house), function (the relationship between the garden and the specific needs of the client), simplicity (in terms of layout of the site, aesthetic and economic) and scale (aimed at creating pleasant relation between various management of the garden)(Church, 1995). Churchs idea was to create a garden that may be looked at from different viewpoints. On this basis, he created a garden that did not have a beginning or an end. The garden was designed in consideration of the usage requirements and nature of site(Treib, 2005). The whole idea of the garden was based on California Garden that aims at creating a modern garden that makes outdoor life more thrilling. He also included the living habits of local people and the environment of California. For instance, the garden has several trees that are complementary to the surrounding landscape (as shown in Figure 2 below) and the amorphous pool that was very unusual. Another philosophy he used was dividing the garden into separate rooms. For example, the garden has separate places for entrance yard, lawn, swimming pool, free space probably for basking in the sun, large platform, dining area, etc. Therefore Church designed Donnell Garden with an aim of making it unique and integrating the principles of unity, function, simplicity and scale. He wanted to go beyond the traditional norms of flowers in the gardens by introducing new elements and perspectives. Formal Qualities Formal qualities of Donnell Garden are reflected in aspects such as topography, vegetation, source of water, climate of the area, material and geomorphology. Donnell Garden is located in Sonoma, California, USA. The coordinates of the garden are 38.1830 N, 122.4521 W and the basic geomorphology in the area is sandstone. Topography of location of Donnell Garden is Sonoma County Coast. The general climate of the area is Mediterranean. This climate is warm and temperate generally mild and fairly dry with little rain throughout the year. But the rain usually increases during winter. The average annual rainfall in the area is 747.5 mm. There is always plenty of sun throughout the year with very minimal chances of snow. Average minimum temperature is 11 C while the maximum temperature is 23.2 C. The hottest and coldest months are July and December respectively. According to Koppen-Geiger climate classification, the climate of Sonoma is Csc(Climate-Data.Org, (n.d.)). The sources of water f or Donnell Garden are local reservoirs and streams, and other water projects by federal and state governments. Indigenous vegetation is predominant in the area with few exotic species. The common indigenous vegetation are Cornus nuttalli and Myrica californica. Different areas of the garden are made of different materials. The lawn is made of green and well maintained natural grass that gives a natural look and feel, as shown in Figure 3 below. The pavement ground of part of the large platform is concealed with redwood or wood of the U.S. fir. The floating deck is designed using checkerboard of wooden boards aimed at preserving existing trees and also creating more living space outdoors. The remaining part of the floor, which is the largest, is made of concrete. The pattern of the floor is grid and it creates a large space for the family and their friends to carry out different activities in the garden including, barbecue, playing and entertainment. The connection of the gardens contour is by curved and jagged lines. The kidney-shaped pool and sculptures smooth curves are similar to the S-shaped line of the distant San Francisco bay. The canopys frame conveys the impression of the skyline and wilderness of the bay in the garden. This is bec ause Donnell Garden is located on a raised ground that gives it a spectacular view overlooking the countryside. There is also the vegetation and trees surrounding the garden Stylistic Attributes These are basically features that make each garden standout from the others. Donnell Garden represents California Garden style. The gardens central part has a kidney-shaped swimming pool. The pools location and unique design makes it the focal visual point and center of recreational activities since most people in California preferred outdoor pools. The layout of the swimming pool also provides two segments for different functions. One section of the swimming pool is longer and deeper, with a springboard, as shown on Figure 4 below. This is mainly designed for adults swimming. The other section of the swimming pool is shallower and more secure. This is mainly designed for children. The swimming pool also has one spectacular feature smooth curved Adaline Kent sculpture. The sculpture is located at the center of the swimming pool (as shown in Figure 5 below) and it serves different functions. The first function is to separate the two sections of the swimming pool the deeper and shall ower areas. The sculpture also has a hole at its base, sizeable enough to draw children through it. The sculpture also acts as a small island in the pool where people can rest. The sculptures soft curves also repeated echoed other elements of the landscape such as curves of rivers and mountains thus complementing the garden and surrounding site. The design of this swimming pool was so unique and spectacular that it became Californias epitome of outdoor lifestyle(Trufelman, 2017). Therefore the design of Donnell Garden accommodated the needs of the family and the characteristics of the surrounding landscape. Another stylish attribute of Donnell Garden is the amorphous transition between different areas of the garden. Even though the garden was divided into separate rooms, transition from one room to another was formless. This showed inclination of Church towards Spanish renaissance art. But this was not just limited to transition between rooms in the garden but it was also extended to transition between the garden and the house i.e. outdoor and indoor living(Tunnard, 2014). Residence Own House Garden, Ridgewood, New Jersey, USA by James C. Rose Residence Own House Garden is a landscape iconic located in Ridgewood, New Jersey, USA. The garden was designed by James Rose for his own residence. This was the building where James Rose lived with his family. The garden is very significant in American history of modern landscape architecture as it shows the origin of modernism in landscape architecture. James Rose was a famous inventor of modernism in landscape architecture and he demonstrated his design in this garden. James Rose started his activism for modernism in landscape architecture while still in school. When studying in Harvard, he teamed up with his classmates Dan Kiley and Garrett Eckbo to rebel against conventional landscape designs and theories. He declined to follow the official style of Beaux-Arts architecture for seeing the landscapes as modern buildings pastoral setting. This led to his expulsion from Harvard. The three colleagues then started social action for modernism in landscape architecture. As a result of this, they wrote several articles explaining their landscape design philosophy and ideas(Cardasis, 1995). Cultural Context Residence Own Home Garden represents the genesis of modern landscape design in Northern America. Designed by one of the pioneers of modernism in landscape architecture, the garden has a strong cultural context. According to James Rose, gardens were part of homes that were supposed to be places where home owners and their friends could relax and have fun at no extra cost. In other words, James Rose wanted landscape architects in USA to move out of the norm and start thinking out of the box when designing gardens. To him, conventional landscape design styles were boring and wasteful. James Rose used several artistic elements when designing his private garden after Second World War. This private garden later made him famous not only in North America but all over the world. His design style was largely influenced by Renaissance movement, which advocated for modern landscape designing. During this period, pioneers of modern landscape architecture relied on three fundamental design princi ples. The first was to create garden accounting that were innovative with some intellectual forms. The second was to create an amorphous relationship between the indoor and outdoor environments of the building by applying a unified design style. The third was to balance between garden use and surrounding landscape. The push for these three design principles became dominant in architecture history between 1938 and 1941. Colour is one of the key elements that James Rose used in his private garden, as shown in Figure 6 below. He believed that combining different colours could give the garden different perspectives. Nevertheless, he made sure that the colors integrated with the surrounding landscape. To the north end of the house was James Roses studio, in the center was his mothers house and to the south was his sisters small guesthouse. He called the house a tiny village. Each interior of the house opened to a common area covered with trellis and paved with grass panels and flagstones. He also used rope panels and moveable bamboo screens to provide privacy for each area, as shown in Figure 7 below. He used this materials because he was against resource wastage and supported recycling and reuse of materials(Cardasis, 2017). According to James Rose, having a spectacular garden did not necessarily mean spending too much to build and construct it. On this garden, he used recycled materials such as salvag ed wood, old doors and railroad ties. His garden was planted with vines and ferns, resonating the structural character of wooden architecture. This was a strong statement of not disregarding traditional architecture that had been used in America for many years but instead being more creative about it. He gave all the recycled materials he used to create the garden new aesthetic and functional uses. Therefore James Rose focused on mimicking the rapid changes that happened in nature and peoples lifestyle without having negative environmental nor economic impacts. He believed that creativity, innovation and simplicity were the key tools to modern landscape architecture(Cardasis, 1994). Design Philosophy Abstract modernism was the basic design philosophy that James Rose applied when designing his private garden. He designed this garden when USA was going through transformation. This was post World War II period and a lot of changes were happening in the country, including population, lifestyle, economic activities and nature. As a landscape architect, James Rose saw the need for changes in landscape design styles. He wanted to create gardens that matched the needs of people and surroundings. Living with his mother and sister, James Rose understood the need for privacy, not for protection against mischievous acts but giving people the freedom to choose what to do when in outdoor. This is quite different from Donnell Garden by Thomas Church where the garden did not seem to have a beginning or an end. James Rose created privacy for each segment of the garden especially at the openings of the interiors. The work of James Rose was also influenced by Japanese design through seamless integr ation of outdoor and indoor rooms. This is a crucial trademark of modern design as landscape architects aim at creating outdoor spaces that complement indoor spaces. James Rose applied this very principle, which is linked to Japanese design, to his private garden. Another principle that James Rose applied was integration of the garden with the surrounding. There are many natural, native trees in the garden. This makes the garden to be properly integrated in the surrounding landscape. The trees are tall and green to give the garden a more natural look and feel. Another very interesting aspect of these trees is that they are also part of the garden structure. Some trees are seen to be penetrating inside the building and probably have a function to perform. This is very unique and thought-provoking even to todays landscape architects. Recyclability and reuse is another element that James Rose introduced in his private garden. A significant percentage of materials used in the garden were natural and recycled. He used old doors, railroad ties, salvaged wood, grass panels, flagstones, rope panels and bamboo screens, as shown in Figure 8 below. These are materials that were locally available and therefore cost less. This is a very crucial idea even in modern landscape architecture considering the growing concerns of global climate change. Recycling and reuse of materials and use of locally available materials are some of the practices that are being encouraged so as to reduce environmental impacts. So James Rose started the idea of modernism in landscape architecture with an aim of creating distinctive, functional and resource efficient gardens. Formal Qualities Reflection of formal qualities of Residence Own House Garden is done by considering aspects such as topography, vegetation, source of water, climate of the area, material and geomorphology of the location of the garden. It is important to analyze these aspects and evaluate their relationship with or influence on design of the garden. Residence Own House and Garden is located in Ridgewood, New Jersey, USA. The coordinates of Residence Own House Garden are 40 58 46 N, 074 07 00 W and the basic geomorphology in the area is sand shale rock extensions combined with sandstone. The topography where Residence Own House Garden is located is western Pennsylvania across Delaware River and Delaware southwest across Delaware Bay. The climatic zone of the area is hardiness zone and hot-summer humid continental climate. According to Koppen-Geiger climate classification, the climate of Ridgewood is Cfa (Humid Subtropical Climate). This climate is warm and temperate. The rainfall is plenty even du ring the driest month. The average annual rainfall in the area is 1248.1 mm. Average minimum temperature is 5.6 C while the maximum temperature is 16.9 C. The hottest and coldest months are July and January respectively. The main source of water in the area is long island sound. Indigenous vegetation is predominant in the area, including oak in northern forests and Pine Barrens in pine forests. The topography, climate, geomorphology, material, water source and vegetation of Ridgewood, New Jersey are very favorable for the ideas of Residence Own House Garden. Having an idea of creating exceptional gardens using locally available and recycled materials, James Rose has plenty of choices. Wood is the predominant material that James Rose used. Almost every section of the garden has a wooden element, including the benches, as shown in Figure 9 below. This is probably because the climate favored plant growth and therefore use of locally available materials was a good and cost-effective idea. Bamboos, grass panels and flagstones are the other natural materials used. The veins and ferns planted in the garden shows the areas favorable climatic conditions that are characterized by evenly distributed rainfall. Stylistic Attributes Residence Own House Garden has many stylistic attributes. The design philosophy of James Rose is to design a functional and modern garden with natural or locally available materials. James Rose was born in 1913 and dies in 1991. However, his philosophy is needed now and in the future than never before. Building sector contributes a significant amount of global carbon emissions and James Roses philosophy is among the encouraged strategies of reversing the current situation. Maybe James Rose saw what many were not seeing after World War II and that is why he rooted for his design philosophy. A great conservationist indeed. Most of the outdoor trellis in the garden were constructed around existing trees the best way to integrate a garden on a site without cutting down trees or demolishing other structures. The garden is very colorful through integration of natural trees and materials. Besides providing a place for relaxation and family activities, it also provides a place for work. It has common areas that are enclosed with trellis, grass panels and bamboo screens to protect the occupants from unnecessary disturbances. The wooden architectures structural character is also complemented with vines and ferns throughout. The predominance of recycled materials also show James Roses attitude towards material conservation. Residence Own House Garden has a central fountain sculpture at the centre of the garden, as shown in Figure 10 below. This is the most symbolic and representative design element of modern landscape architecture. Besides being a symbol of modern landscape architecture, the fountain also creates a cool, fresh and relaxing environment in the garden all year round. Conclusion Donnell Garden by Thomas Church and Residence Own House Garden by James Rose are two gardens that were designed by pioneers of modernism in landscape architecture. These two gardens did not just capture the attention of people in United States of America but they were and are still great works in the history of modern landscape architecture. The two gardens are similar and unique in equal measures. Both landscape architects wanted to create masterpieces that could represent their design philosophies of modern landscape architecture, and they truly did it successfully. Each of the gardens has a unique design philosophies, formal qualities and stylish attributes. For example, Donnell Garden has a central kidney-shaped swimming pool with smooth curved Adaline Kent sculpture while Residence Own House Garden has central fountain sculpture as their symbolic and representative elements of modern landscape architecture. James Rose also focused on avoiding wastage of resources by using recy cled, natural and locally available marketing. These two gardens are indeed a representation of the genesis of modern landscape architecture that should be emulated by stakeholders in landscape architecture field. References Anderson, B., 2011. An exploration of the potential benefits of healing gardens on veterans with PTSD, Logan, Utah: Utah State University. Beattie, J., 2015. Gardens at the frontier: new management perspectives on garden history and designed landscapes. Studies in the History of Gardens Designed Landscapes , pp. 1-4. Cardasis, D., 1994. Maverick impossible: James Rose and the modern American garden. In: The Modern Garden in Europe and the United States, Proceedings of the Garden Conservancy Symposium. Cold Spring, N.Y.: Garden Conservancy, pp. 31-41. Cardasis, D., 1995. James C. Rose. In: Pioneers of American Landscape Design II: an annotated bibliography. Washington, DC: Historical Landscape Initiative, US National Park Service, pp. 127-132. Cardasis, D., 2017. Jmes Rose: a voice offstage. Athens, GA: Library of American Landscape History, University of Georgia Press. Church, T., 1995. Gardens Are For People. Berkeley, California: University of California Press. Climate-Data.Org, (n.d.). Climate: Sonoma. [Online] Available at: https://en.climate-data.org/location/125175/ Detweiler, M. et al., 2012. What is the evidence to support the use of therapeutic gardens for the elderly?. Psychiatry Investigation, pp. 100-110. Franklin, D., 2012. How Hospital Gardens Help Patients Heal. [Online] Available at: https://www.scientificamerican.com/article/nature-that-nurtures/ Gray, T. Birrell, C., 2014. Are biophilic-designed site office building linked to health benefits and high performing occupants?. International Journal of Environmental Research and Public Health, pp. 12204-12222. Jere, S., 1993. The California Garden. Washington, DC: Landscape Architecture Foundation. Lau, S. S., Gou, Z. Liu, Y., 2014. Healthcare campus by open space design: approaches and guidelines. Frontiers of Architectural Research, pp. 452-467. Treib, M., 2003. Thomas Church Landscape architect: Designing a Modern California Landscap. San Francisco, Calfornia: William Stout Publishers. Treib, M., 2005. The Donnell and Eckbo Gardens: Modern California Masterworks. Berkeley: University of California Press. Trufelman, A., 2017. The Pool and Stream. [Online] Available at: https://99percentinvisible.org/episode/the-pool-and-the-stream/ Tunnard, C., 2014. Gardens in the Modern Landscape: A Fascimile of the Revised 1948 Edition. Philadelphia: University of Pennsylvania Press.

Music As Resistance Wale Golden Salvation free essay sample

The first work heard from him was his mix tape 100 miles and running. This tape consisted of go-go based production. This had never been done before in hip- hop, this alone shows Wales resistant nature. He didnt want to conform to the typical production style that most rappers were using at the time of that release. Throughout that project, he consistently spoke completely truthfully about what he does, he never yapped about gunplay and drug-slinging, he never praised any of the negative connotations that are prominent in todays hip hop. One of the most prominent things in the hip-hop industry is the flashy lifestyle that most artists portray. The game is filled with chain flashing none flashing, and braggadocio. Wale denies these stereotypes by constantly displaying his proper knowledge of simple etiquette, be it through his lyrics or his actions. To me, wale is a genius trapped in a game filled with fake gangsters and trend-followers. We will write a custom essay sample on Music As Resistance Wale Golden Salvation or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page In a simple sense, wale is a trendsetter; he brings his own style to the table, he is his own man, which is something that is always preached in the rap game but barely ever put on display. Hose the song Golden Salvation because it speaks to the exact topic that I previously discussed. Basically, throughout the song Wale explains how papers boast diamond-flooded chains bearing the face of Jesus. But, while wearing these chains, the rappers arent serving Christ in any way, shape, or form. In fact, the Jesus piece is simply written off as another regular old piece of jewelry. Salvation is defined as deliverance from sin and its consequences.They expect the chain itself, the diamonds, and shiny components to deliver them to new heights in life, they completely ignore the face that the chain consists of; hence the name Golden Salvation. With this line: N*gas use me to shine, I been helping you Stunt, look, why these rapping dudes anti hit e in months? Wale shows that he believes that these young men particularly black men should go to Jesus more often and ask him for assistance in life instead of placing their destiny on living the typical flashy lifestyle.He follows this up with l dont ask for too much, colored in Wows, women will play you close, ad them hungry jokers will try and test yea, now yea confidence through the roof, still you show no respect kid, the good book sai d praise button so stuck in your ways you got my image appraised. With this, hes saying that Jesus doesnt ask for much, but if they boast his face on a monad encrusted chain, a bad omen will follow them and their chances of getting robbed will increase. Also, he uses a play on words with praise. Implying that the bible tells us to praise the lord but instead, they get his an appraisal on a chain bearing his face. This song speaks volumes to the terrible trends the rap industry tends to set and cause millions to follow. It also showcases Wales ability to drop knowledge on important topics in the black community and also do it in an intriguing way that requires you to not only listen, but also deeply think about the years. Lyrics: pray PraisesGive thanks To the Fad Holy Water Jesus piece But dont nobody wand know Jesus peace, no [Verse 1 N*gas use me to shine been helping you stunt Look why these rapping dudes anti hit me in months dont ask for too much Covered in Was Women goon play yea closer And them hungry jokers goon try test yea Now they bumping your record Yea confidence through the roof Still yea show no respect kid The good book said pray But you so stuck In your ways You got my image appraised Why you sinning out waiting For nicating with women I sat right there on your table Dont bow your head for grace Though Im keeping you gracefulBrothers was born to cheat Though I question who faithful Fast for me nope Blasphemy though Rap to it so racks up To match up with me froze How can a diamond supersede my wisdom seen a reverend with five of me as he read his scripture This is bible readings to people with malice intentions. Music As Resistance Wale Golden Salvation free essay sample Singing Music of Afro Americans Music As Resistance: Wale Golden Salvation I chose this song because I believe it is extremely relevant to hip-hop culture, and the message it portrays went over the heads of a lot of listeners. First of all, I personally believe that the DC-based artist Wale is the best lyricist in the industry currently. The way he flows over his ingenious choices of production and conveys his meaningful messages in a smooth way is simply amazing. I first discovered Wale when I was about 13 years old.The first work I heard from him was his mix tape 100 lies and running. This tape consisted of go-go based production. This had never been done before in hip-hop, this alone shows Wales resistant nature. He didnt want to conform to the typical production style that most rappers were using at the time of that release. Throughout that project, he consistently spoke completely truthfully about what he does, he never yapped about gunplay and drug-slinging, he never praised any of the negative connotations that are prominent In todays hip hop. We will write a custom essay sample on Music As Resistance Wale Golden Salvation or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page One of the most prominent things in the hip-hop industry is the flashy lifestyle that most artists portray. The game is filled with chain flashing, money flashing, and braggadocio. Wale denies these stereotypes by constantly displaying his proper knowledge of simple etiquette, be it through his lyrics or his actions. To me, wale is a genius trapped in a game filled with fake gangsters and trend-followers. In a simple sense, wale is a trendsetter; he brings his own style to the table, he is his own man, which is something that Is always preached In the rap game but barely ever put on display.I chose the song Golden Salvation because It speaks to the exact topic that I previously discussed. Basically, throughout the song, Wale explains how rappers boast diamond-flooded chains bearing the face of Jesus. But, while wearing these chains, the rappers arent serving Christ in any way, shape, or form. In fact, the Jesus piece is simply written off as another regular old piece of jewelry. Salvation is defined as deliverance from sin and its consequences.They expect the chain itself, the diamonds, and shiny components to deliver them to new heights in life, they completely ignore the face that the chain consists of; hence the name Golden Salvation. With this line: N*gas use me to shine, I been helping you stunt, look, why hose rapping dudes mint hit me in months? Wale shows that he believes that these young men particularly black men should go to Jesus more often and ask him for assistance In life Instead of placing their destiny on living the typical flashy lifestyle.He follows this up with l dont ask for too much, colored In Wows, women will play you close, ad them hungry Jokers will try and test yea, now yea confidence through the roof, still you show no respect kid, the good book sa id praise but you so stuck In your ways you got my image appraised. With this, hes saying that Jesus doesnt ask for much, ND their chances of getting robbed will increase. Also, he uses a play on words with praise.Implying that the bible tells us to praise the lord but instead, they get his an appraisal on a chain bearing his face. This song speaks volumes to the terrible trends the rap industry tends to set and cause millions to follow. It also showcases Wales ability to drop knowledge on important topics in the black community and also do it in an intriguing way that requires you to not only listen, but also deeply think about the lyrics. Lyrics: Pray Praises Give thanks To the Fad Holy Water Jesus pieceBut dont nobody want know Jesus peace, no [Verse 1 :] N*gas use me to shine I been helping you stunt Look why these rapping dudes anti hit me in months I dont ask for too much Covered in Wows Women gong play yea closer And them hungry Jokers gong try test yea Now they bumping your record Yea confidence through the roof Still yea show no respect kid The good book said pray But you so stuck in your ways You got my image appraised Why you sinning out wa iting Fornicating with women I sat right there on your table Dont bow your head for grace Though Im keeping you graceful Brothers was born to cheatThough I question who faithful Fast for me nope Blasphemy though Rap to it so racks up To match up with me froze How can a diamond supersede my wisdom I seen a reverend with five of me as he read his scripture This is bible readings to people with malice intentions With a Cuban attached On a secular scene I died for you all Now n*gas die over me [Hook:] Jesus piece Jesus piece Jesus piece But dont nobody want know Jesus peace [verse 2:] Sierra Leone diamonds LA to New York got me? If nobody stores have me Some probably would know about me All over paparazzi Shout out to MurrainSee they commercialism me Im sure there will be more robberies Work New chain swag get your crew laid fast Or laid down or not a ticket next to dad And the bible told you wait on my arrival But patience was your problem So get Jacob to come find me And religion is a style if not.